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It’s been quite some time since my last post…

But anyway… hi

It’s been quite some time since my last post…

But anyway… hi

(via redsox861918)

Audrey + on set

(Source: missingaudrey, via thechicsoul)


In great acting, we see the soul of the character through the craft of the performer. In a great star, we see the personality of the performer through the veil of the character. The actor disappears, the star displays. Hepburn did both. She always illuminated the parts she played; those young women won a unique allure because she played them. But she was also, and utterly, herself.
Richard Corliss

In great acting, we see the soul of the character through the craft of the performer. In a great star, we see the personality of the performer through the veil of the character. The actor disappears, the star displays. Hepburn did both. She always illuminated the parts she played; those young women won a unique allure because she played them. But she was also, and utterly, herself.
Richard Corliss

(Source: rustons, via thechicsoul)

chainedandperfumed:

Billy Wilder directs Gary Cooper and Audrey Hepburn in Love in the Afternoon. 1957.

chainedandperfumed:

Billy Wilder directs Gary Cooper and Audrey Hepburn in Love in the Afternoon. 1957.

(via thechicsoul)

heavyyheart:

favorite classic film~ Roman Holiday (1953)

(via thechicsoul)

Audrey Hepburn in Funny Face (1957).

(via thechicsoul)

Audrey Hepburn and Albert Finney in Two for the Road | (1967)

(via thechicsoul)

Two for the Road (1967)

(via thechicsoul)

It’s been quite some time since my last post…

But anyway… hi

It’s been quite some time since my last post…

But anyway… hi

(via redsox861918)

Audrey + on set

(Source: missingaudrey, via thechicsoul)


In great acting, we see the soul of the character through the craft of the performer. In a great star, we see the personality of the performer through the veil of the character. The actor disappears, the star displays. Hepburn did both. She always illuminated the parts she played; those young women won a unique allure because she played them. But she was also, and utterly, herself.
Richard Corliss

In great acting, we see the soul of the character through the craft of the performer. In a great star, we see the personality of the performer through the veil of the character. The actor disappears, the star displays. Hepburn did both. She always illuminated the parts she played; those young women won a unique allure because she played them. But she was also, and utterly, herself.
Richard Corliss

(Source: rustons, via thechicsoul)

chainedandperfumed:

Billy Wilder directs Gary Cooper and Audrey Hepburn in Love in the Afternoon. 1957.

chainedandperfumed:

Billy Wilder directs Gary Cooper and Audrey Hepburn in Love in the Afternoon. 1957.

(via thechicsoul)

heavyyheart:

favorite classic film~ Roman Holiday (1953)

(via thechicsoul)

Audrey Hepburn in Funny Face (1957).

(via thechicsoul)

Audrey Hepburn and Albert Finney in Two for the Road | (1967)

(via thechicsoul)

Two for the Road (1967)

(via thechicsoul)

About:

"I'm like cat here, a no-name slob. We belong to nobody, and nobody belongs to us. We don't even belong to each other."

Just a place where I can keep all my Audrey love.

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